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Review: Bond Week on
Spike TV
One particular Bond catches the wrath of Arch
By Jeff Archipley
VENICE, CA JANUARY 6,
2005
This Christmas season I had the pleasure of enjoying
many festive and delightful holiday moments while visiting the
greater capital area.
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Tinsel on the tree, bubulki
on my plate, navy bean soup, last minute shopping at the food court.
Speaking of food, great food this year. Ladles of cream of mushroom
soup to the best apple cake in recent history, I put on a solid ten
pounds of security fat to ward off the bitter sub-zero Michigan
chill as I nestled up to my brother Brian's new flat panel HD
television screen. The stuff that dreams are made of. And that's
when I realized that, while the holidays are about spending quality
time in the company of family and friends, celebrating the coming of
the Lord and enjoying the bounty of heaping plates of turkey and ham
and slaw and pudding and jam, there was something else that put
icing on my proverbial holiday cake.
BOND. James Bond. SEVEN DAYS
OF DOUBLE OH SEVEN on the SPIKE network.
Bond-O-Rama.
And, while the spirit of
giving and loving thy neighbor was ever present in my heart,
shooting bad guys and thwarting the takeover of earth and sharks
with lasers on their heads was all I could think about as my eyes
gelled into aspic watching one Bond movie after another. Back to
back. At a certain point, you've seen one you've seen 'em all. And
that's generally what I thought about Bond movies. However, this is
not true. This is not true because of one reason and one reason
only: DALTON.
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Put Dalton in a moon
buggy and hit the launch button. This guy is about as 'Bond' as
Mickey Rooney. His two performances as 007 were in "The Living
Daylights" (1987) and "License to Kill" (1989) They should
have tiled the films "Punch Dalton in the Face" and "License to
Kill Dalton". I have never been so embarrassed to watch
anything, including Anna Nicole Smith and Ashlee Simpson trying
to sing in tune. |
The main problem with Dalton
is that he has no charisma and comes across as a weak, insecure
sissy that isn't sure if he wants a vodka martini or a juice box.
Apparently, in keeping with the changing pace of public mores, the
new Bond was going to be less of a womanizer than he had been in the
past.
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That didn't, however, mean
that there wouldn't be the obligatory Bond girls, just that Bond
would largely keep his hands to himself this time round. Big
mistake. Dalton actually spends one night sharing a room with M
instead of a beautiful woman. How can this happen? One word:
DALTON.
Richard Simmons would have
done a better job, mesh tank top and all.
Nobody beats Connery, and
Brosnan is solid as Gibraltar. Now Roger Moore, while slightly
goofy, still has great screen appeal and he can at least ski.
Hell, I'd even take George Lazenby. But this putz, this shameful
pansy, this DALTON, well, he's just flat out horrific. Remember
that some of his other roles were that of the
Barin in "Flash Gordon",
lookin' sharp in lime green tights, and of course who could
forget the "Beautician and the Beast". Everyone could that's
who. |
I currently keep a pile of
bricks next near my couch to chuck at the screen if Dalton appears.
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